Rhetoric
SARVENAZ JAVIDAN; MOHAMMAD ALI GOZASHTI; ALI ASGHAR HALABI
Abstract
Qhaem Magham Farahani is one of the influential people in the political history of the country and his "Monsha`at' is a turning point in the history of the evolution of Persian prose, which can be analyzed in the field of criticism according to the diversity of content and political, historical and literary ...
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Qhaem Magham Farahani is one of the influential people in the political history of the country and his "Monsha`at' is a turning point in the history of the evolution of Persian prose, which can be analyzed in the field of criticism according to the diversity of content and political, historical and literary dimensions of its author.Critical analysis emphasizes the principle that the language of literary texts, like other texts, serves communication and can be analyzed critically. In this article, Roger Fowler's theory in critical analysis is selected and based on it, linguistic functions. The rhetoric of the text has been studied from the perspectives of thought, interpersonal and text, and by looking at the context of the situation, the necessary knowledge has been obtained about the interaction in the text as well as the influence of discourse actors.Analysis of letter No. 21 from the Monsha`at shows that the author has increased the effectiveness of his letter to the addressee by using the above linguistic and rhetorical functions and has succeeded in achieving his intended purposes; This analysis also shows the underlying facts in the context of discourse style, ideology, and the relations of domination and power of discourse actors, which indicates the dominance of the audience's power over the author.
Rhetoric
masood sepahvandi
Abstract
Rhetoric is one of the literary sciences in which the issue of adapting words to the requirements of the situation and position is examined. Since the effort and attention to the literary and rhetorical nuances of the Qur'an required a relative familiarity with the interpretation and simile of the verses, ...
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Rhetoric is one of the literary sciences in which the issue of adapting words to the requirements of the situation and position is examined. Since the effort and attention to the literary and rhetorical nuances of the Qur'an required a relative familiarity with the interpretation and simile of the verses, commentators have been pioneers in this matter, including: Abolfatuh Razi, Zamakhshari, Shahfur Esfraini, etc. And the secret of this knowledge has crystallized in the miraculous rhetoric of the Qur'an and their words, but unfortunately, some of these secrets have remained far from the eyes of Islamic-Iranian rhetoricians or have been given less attention. Therefore, it is necessary to discover, examine and analyze these beauties from among their writings. The present article is a research in which the author has tried to, after examining the Persian interpretations of the Holy Quran with analytical-descriptive methods, those literary beauties that have been left out of the eyes of rhetoricians or have been less addressed; found and analyzed. After analyzing the examples, the author concludes that in the early interpretations of the Qur'an, special techniques were used such as: useful virtual documents of the meaning of honor, secondary meanings of interrogative sentences, style of conditional sentences, etc.
Rhetoric
Maryam Behfar; Mahdokht Pourkhaleghi Chatrodi; Ahmad Zabeti Jahromi
Abstract
The main goal of this research is to know the different ways of using the device of “preposing and postposing” and to analyse and investigate its various effects and functions in Iranian cinema. Therefore, with a neoformalist approach and using the topics of rhetoric, we considered preposing ...
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The main goal of this research is to know the different ways of using the device of “preposing and postposing” and to analyse and investigate its various effects and functions in Iranian cinema. Therefore, with a neoformalist approach and using the topics of rhetoric, we considered preposing and postposing in film editing as a kind of shots processing, in which to create an effect or convey different rhetorical purposes, the shots are shown in a late/early position. The method of this research is descriptive-analytical and the resources include library and audiovisual resources (films). For this research, 11 films from Iranian cinema have been purposefully selected. The results of the research showed that the device of preposing is in ways such as showing a shot before of its position, hearing sound before image, placing a result before the action and the device of postposing is used in cinema by creating a distance between two main shots, delaying the establishing shot, reaction shot, point of view shot, Delay in showing main and secondary characters, etc. This technique creates special functions and qualities in films by moving one or several shots: Creating a comedy situation, drawing attention to the element that has appeared, cutting off the energy between two shots, creating a sense of confusion, limiting and stopping the narrative, interfering in The judgment of the audience, reflection of the characters inner feelings are some of the functions of this device in Iranian cinema films.
Mansoureh Shirzadi; Mohammad Hossein Sharafzadeh; Zahra Rastegar Haghighi Shirazi
Abstract
There are about one thousand and two hundred verses regarding Resurrection in Qur'an. After studying these verses, we discovered that some of these verses strive to convince people to accept Resurrection and describe the way it will occur. Other verses sometimes refer to Resurrection directly and sometimes ...
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There are about one thousand and two hundred verses regarding Resurrection in Qur'an. After studying these verses, we discovered that some of these verses strive to convince people to accept Resurrection and describe the way it will occur. Other verses sometimes refer to Resurrection directly and sometimes describe it through discourse-oriented titles. These discourse-oriented titles are The Calamity, Day of Mutual Disillusion, Day of Mutual Meeting, the Day that is [ever] drawing near, Day of Regret, Day when there of Mutual calling, Day of Sorting out, Day of Distress, etc. these words possess connotative meaning besides their referential meaning. Based on Fairclough’s view, these titles were analyzed in three levels: description, interpretation, and explanation. At the explanation level, we discussed the reasons for the revelation of these verses and discovered that their purpose is to warn Muslims of the Greatness and Immensity of that day. Moreover, the belief in Resurrection alone does not guarantee men’s prosperity, and they need to save good deeds for that day because those who have done more good deeds will have a better eternal life.) Whoever whose scale of good deeds is heavy, will have a satisfactory eternal life, and whoever whose scale of good deeds is light will be living in Abyss (Hell).
Rhetoric
zahra jourabchi
Abstract
The emergence of existential metaphors in the children's stories of peace .The science of rhetoric is not only applied in adults' literature. Metaphor is one of the rhetoric concepts and applications that has a fundamental role in children's stories. The themes of the many children's story are dealt ...
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The emergence of existential metaphors in the children's stories of peace .The science of rhetoric is not only applied in adults' literature. Metaphor is one of the rhetoric concepts and applications that has a fundamental role in children's stories. The themes of the many children's story are dealt with peace and friendship. The writers have used the metaphoric language in order to make the story more influential. Hence, they have used to this method of peace training to achieve the highest level of thinking. The findings indicate that among the conceptual metaphors, the existential metaphors and their sub-divisions have been the most frequents ones used in children's story books by writers to train and gutturalize the culture of peace to the audience. Holistically, the existential metaphors have been remarkable applied in such a way to make the abstract and intricate subjects more tangible and comprehensible for children .Keywords: peace, story children, metaphor, ontologism
Rhetoric
yasin mahmoodzadeh; alireza mozaffari
Abstract
narrative is a branch of literary studies that is rooted in structuralism and its main function is to examine structural elements.Jerema Giant French theorist is one of the narrative narratives.In his views, he studied three factors of grammatical time, or air and tone.The purpose of this article is ...
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narrative is a branch of literary studies that is rooted in structuralism and its main function is to examine structural elements.Jerema Giant French theorist is one of the narrative narratives.In his views, he studied three factors of grammatical time, or air and tone.The purpose of this article is to examine the narrative components in six poems of Nosrat Rahmani based on Jerema Genet's view.The research method is descriptive analytically.The results of the examination of poems showed that the arrangement of narration in all lyrics is linear;That is, there is no difference between the story and narrative.The narrative of stories in all lyrics, apart from the mud, had a positive acceleration.The frequency used in narration, except for the poetry of the knife, which has repeated frequency, and the vocabulary and phrases are repeated, are in other singular frequency lyrics (single).In terms of interest in all lyrics, the lowest distance is observed.Angular vision in the Prostitute and trigger the third person and the outer and in other lyrics;Mead in sludge, knife, mother and letter First person and inner.The view in the prostitute and the trigger of the outer focus is heterogeneous and in other lyrics, including the maternal sludge knife The mother and letter of the internal center are homogeneous.The sound and tone are also in the prostitute and trigger outside of their narrative and in other poems in the slime of the mother's knife and the letter inside his narration
Rhetoric
Malek Abdi
Abstract
For centuries, researchers in the field of rhetoric and imagery have been referring to the art of phrasing as a melodious and dynamic art to highlight the original images hidden in literary texts. Basically, the problem is that this industry by itself cannot be considered a consistent and value-creating ...
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For centuries, researchers in the field of rhetoric and imagery have been referring to the art of phrasing as a melodious and dynamic art to highlight the original images hidden in literary texts. Basically, the problem is that this industry by itself cannot be considered a consistent and value-creating element in the direction of portraying pure poetic concepts. What is certain is that the mere application of the innovative opinion of the poet in the process of processing the audio effects in the text, as long as it is not based on the aspect of equating the visual meanings with the audio effects arising from it, cannot be considered as a valid literary advantage. In order to provide mental imagery to the searching audience. It should be known that the mere accumulation of a large amount of similar letters with the same rhythmic effects may in many cases not only not give a rhetorical boost to the text, but also causes the appearance of lines of phonetic conflict in the visual systems of the text. This research, based on the descriptive-analytical method and based on sound scientific data in textual and phonetic sources, leads us to the conclusion that grammar as an intermediary industry cannot necessarily have audio-conceptual efficiency, but even It can disrupt the final meaning and rhetoric of the image, as sometimes it is used only to induce a fleeting sense of pleasure, which lacks any cognitive aspects, and sometimes it even deviates from the audio standards accepted
