Rhetoric
Alireza Nabilou; Mahdiyye Ghasemi
Abstract
In this article, Makhzan al asrar & Mazhar al asrar's Similarities investigated and Categorize In terms of Subjective and structure The pillars and the shape and After matching the two poets' similarities Provided Statistical analysis of them.One of the goals of this Analytical comparative approach ...
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In this article, Makhzan al asrar & Mazhar al asrar's Similarities investigated and Categorize In terms of Subjective and structure The pillars and the shape and After matching the two poets' similarities Provided Statistical analysis of them.One of the goals of this Analytical comparative approach is Statistical analysis of two work simulations and Specify the amount of initiative and imitation of their speakers.We found out through this review, 2254 couplet of Makhzan al asrar has 631similes and 2990 couplet of Mazhar al asrar has 680 similes Which shows the compactness of Nezami's similes relative to Abdi beig. Nezami is more simile and illustrative than Abdi Beig, despite its lesser couplet. There is a wide view from two poets. Among likened topics, has an appearance human characteristics and and abstract. The frequency of using objects in similar to is higher. Another important point is Similarity angle, their newness and oldness. Both poets to get rid of repetition and stereotypes; On one side of the simile, they bring a Similar composition or metaphors to create an imaginary simile. Out of the total of 631 similes in Makhzan-Al Asrar, 56, and out of the total of 680 similes of Mazhar-Al Asrar, 35 are are new and original. The angle of simile in Nizami's poems is more open compared to Abdi Beyg's poems. In terms of formal structure, although both poets have used different types of similes in their poetry; but most of the similes in these two works are eloquent and separate.
Rhetoric
Leila Nowruzpur
Abstract
Yadollah Royaee In his theoretical works, takes a critical view in imagery of traditional poetry. According to him, imagery in classical poetry is static , while in contrast, Spacemantalism is dynamic. This article analyzes critically his points of view and the examples mentioned in his theoretical works. ...
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Yadollah Royaee In his theoretical works, takes a critical view in imagery of traditional poetry. According to him, imagery in classical poetry is static , while in contrast, Spacemantalism is dynamic. This article analyzes critically his points of view and the examples mentioned in his theoretical works. Furthermore, by examining Royaee 's claimed examples of spacemantalism in classical poetry, it becomes evident that these images are common types in classical rhetoric and any ambiguity in the imagery is resolved with its context and literary traditions, they stand apart his contemporary examples.The claim of this article is that to achieve a precise understanding of Spacemantalism, one must go beyond manifesto and solely engage in analyzing Royaee's poems. Using an inductive and descriptive-analytical approach, the images in the collection of "Labrikhehā" are analyzed in terms of expressing the relationship between reality and the appearances of reality, as well as the concept of distance or espace. The results demonstrate that various types of imagery, including classical structure imagery, imagery through spatialization, cluster imagery, mythological imagery, and symbolic imagery, are employed in his poems. The unspoken aspects of imagery, connotations of words related to imagery, and the expansiveness of imagery on the form contribute to the complexity of Spacemantal imagery. If Spacemantalism is merely understood as lack of neiberhood, then Spacemantal images are plentiful, but if the criterion is the ultimate cause, they are scarce. Spacemantal imagery is relative, implying an indirect relationship or distance between the hierarchical elements of the image.
Rhetoric
ahmad jafari; Abbas ali vafaei
Abstract
In Khaqani's Diwan a 6th-century pictorial poet, a large part of the images are made using only one specific word; This means that Khaqani can give an artistic function to a simple word. The word treasure, which has a special place in Supernatural sciences, spells and burials, is one of these words. ...
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In Khaqani's Diwan a 6th-century pictorial poet, a large part of the images are made using only one specific word; This means that Khaqani can give an artistic function to a simple word. The word treasure, which has a special place in Supernatural sciences, spells and burials, is one of these words. In Mohammad Reza Shafi'i Kadkani's six division, rhetorical criticism analyzes the philosophy of the formation of rhetorical images by using six elements, which are: music-making and meaning-making industries, deceptive audience, lexical choice. And semantic breadth, norm breaking, connection with tradition and cultural and religious background and expressive topics. Using analytical methods in rhetorical criticism based on partial images can lead to the expansion of rhetorical techniques in literature while revealing the ambiguous points of rhetorical images of traditional Persian literature.Examining the rhetorical images created by the word treasure in Khaqani's poetry based on Shafii Kadkani's six-fold classification shows that the poet's mastery over the historical and cultural background has caused the word treasure to turn from a simple three-letter word into a functional rhetorical component. Become an artist.Rhetorical criticism, Shafi'i Kadkani, treasure and Supernatural Sciences , Khaqani's rhetorical illustrations, six categories of the basics of literary arrays.
Rhetoric
Hasan Shamyan; Samane Jafari; Mohammad Alizade Meresht
Abstract
: Khaghani's poems are difficult to find due to the inclusion of terms of various sciences, allusion, metaphors and strange and sometimes multi-layered kennings. Therefore, in most cases, It is necessary for the reader to understand the meaning and rhetorical subtleties of the poem, to be familiar with ...
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: Khaghani's poems are difficult to find due to the inclusion of terms of various sciences, allusion, metaphors and strange and sometimes multi-layered kennings. Therefore, in most cases, It is necessary for the reader to understand the meaning and rhetorical subtleties of the poem, to be familiar with the things said. Gemology and medicine are among the sciences that he considered in creating many of his poetic themes. Therefore, considering the great impact of gems and their properties on the beauty of Khaghani's poetry, this research has investigated the rhetorical function of these precious stones in the poems of this poet in a quantitative and qualitative methid. In a quantitative study, while classifying and presenting similes and metaphors designed around high-frequency gems, it was found that red stones and in particular, Lal, are the most frequent stones in Khaghani's poetry and It has the most similes and metaphors due to its ability to depict the lover's lips and wine in lyrical poetry, as well as tears and blood in elegies and of course the shortness of the word. In the qualitative section, the construction of multi-layer similes and metaphors with similarity in terms of color and other gemological and medical properties was investigated. Also, beautiful Figuresof speech such as compound puns, iham tabadur and various types of allusion derived from the names of jewels were explained Also, beautiful Figuresof speech such as compound puns, iham tabadur and various types of allusion derived from the names of jewels were explained.
Rhetoric
fatemeh jabbari ghare bagh; Najmeh Dorri; said Bozorg bigdeli
Abstract
The identity of a society is composed of various elements, one of the most important of which is literature and folk literature. The development of technology and the emergence of new technologies that have led to the creation of a global village have affected and threatened the native literature and ...
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The identity of a society is composed of various elements, one of the most important of which is literature and folk literature. The development of technology and the emergence of new technologies that have led to the creation of a global village have affected and threatened the native literature and culture of each region. This problem has caused the distance between people and literature to increase. The aim of the present study is to examine the current situation of the use of literature in the lives of Iranian people and to analyze the causes and obstacles for the marginalization of literature in the contemporary period. For this purpose, a semi-structured interview was conducted with 19 trustees, experts, and citizens, and the data were analyzed according to the application of the grounded theory technique, extracting 159 primary codes and 18 categories. Subsequently, these categories were presented within the framework of Strauss and Corbin's axial coding. The central phenomenon identified in this research, due to the concern of the interviewees and its repetition in all interviews, was "the lack of application of literature in people's lives." The reasons given for the decline in the presence of literature in society were "the predominance of the negative aspect of technology," "the lack of a sense of necessity in society," "the weakness of the educational system," "the lack of awareness of the public," and "the diversity and weakness of decision-making institutions in the field of culture."
Rhetoric
shamsolah shams; masuod sepahvandi
Abstract
With the advancements in linguistics and literary criticism of language, nowadays it is possible to analyze and examine works, especially lasting literary works, in order to understand the secret of the immortality of these rich creations. Rhetorical criticism is one of the vibrant and dynamic criticisms ...
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With the advancements in linguistics and literary criticism of language, nowadays it is possible to analyze and examine works, especially lasting literary works, in order to understand the secret of the immortality of these rich creations. Rhetorical criticism is one of the vibrant and dynamic criticisms that exists in Persian literature, and under the shadow of this important tool, one can find out about the discussion and the inner secrets of the poet's and writer's thinking. Examining the literaryness of each text and its recognition is mostly shown with poetic eloquence and it is with the help of this criticism that one can distinguish between one work and another. Examining the secondary purposes of sentences, especially compositional sentences, is one of the important topics of semantic science. Meanwhile, rhetorical questioning is one of the most effective types of this artistic trick. In fact, rhetorical questions and their secondary purposes are worthy of investigation and research as an artistic method.In this analytical and descriptive research, Baroush first examined the structure of interrogative sentences in the satires of three poets of the constitutional period, and then examined the frequency of interrogative devices in their poems. We have shown the habits of questioning and rhetorical function in the poems of the three mentioned poets. The main problem of this research is to discover the hidden rhetorical code in the interrogative sentences of satires of the constitutional era.
