In collaboration with Payame Noor University and Iranian Society for the Promotion of Persian Language and Literature

Document Type : applied research

Authors

1 Ph.D. student of Persian language and literature, Kharazmi University, Tehran

2 Professor of the Department of Persian Language and Literature, Allameh Tabatabai University, Tehran

10.30473/prl.2025.68999.2090

Abstract

In Khaqani's Diwan a 6th-century pictorial poet, a large part of the images are made using only one specific word; This means that Khaqani can give an artistic function to a simple word. The word treasure, which has a special place in Supernatural sciences, spells and burials, is one of these words. In Mohammad Reza Shafi'i Kadkani's six division, rhetorical criticism analyzes the philosophy of the formation of rhetorical images by using six elements, which are: music-making and meaning-making industries, deceptive audience, lexical choice. And semantic breadth, norm breaking, connection with tradition and cultural and religious background and expressive topics. Using analytical methods in rhetorical criticism based on partial images can lead to the expansion of rhetorical techniques in literature while revealing the ambiguous points of rhetorical images of traditional Persian literature.
Examining the rhetorical images created by the word treasure in Khaqani's poetry based on Shafii Kadkani's six-fold classification shows that the poet's mastery over the historical and cultural background has caused the word treasure to turn from a simple three-letter word into a functional rhetorical component. Become an artist.
Rhetorical criticism, Shafi'i Kadkani, treasure and Supernatural Sciences , Khaqani's rhetorical illustrations, six categories of the basics of literary arrays.

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