Document Type : applied research
Authors
1 Assistant Professor, Department of Persian Language and Literature, Faculty of Literature and Humanities, University of Guilan, Rasht, Iran
2 Associate Prof., Department of Persian Language and Literature, Faculty of Persian Literature and Foreign Languages, Mazandaran University, Babolsar, Iran.
Abstract
The artist's intervention in the field of language causes the creation of an image; This transformation is formed by using elements that exist in the channel of language and are considered one of its inherent abilities. By discovering and using these tools, the poet interferes with the natural norm of language and creates an image through this manipulation. One of the platforms for the appearance of the poet's thoughts and the structure of his epistemological system is poetic images, and from this point of view, the scale of the complexity of his mind and language can be examined with poets of other styles. Individual and combined artworks are necessary and basic tools in the direction of creating poetic images, and it is inevitable to examine them when analyzing and analyzing the geometry of poetic images. The knowledge of stylistics with the two features of frequency and comparison can be a suitable criterion for investigating the geometry of poetic images. The present research, which is written in a quantitative-statistical way and with a stylistic approach, by examining the structure of the poetic images of one-by-one verses of Divan Hatef Isfahani, tries to avoid common generalizations in Regarding the similarity of Hatif's poetry to the poets of previous styles, by presenting accurate and clear statistics of the poet's use of expressive art structures, besides determining the level and quality of the structure of Hatif's images in terms of simplicity or complexity, by analogy with geometry.
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