In collaboration with Payame Noor University and Iranian Society for the Promotion of Persian Language and Literature

Document Type : applied research

Authors

1 PhD candidate, Department of Persian Language and Literature, Roudehen branch, Islamic Azad University , Roudehen، iran.

2 Razi University of Kermanshah, Faculty of Humanities, Department of Persian Language and Literature

3 Assistant Professor Department of Persian Language and Literature, Roudehen branch, Islamic Azad University , Roudehen، iran

Abstract

In Persian poetry, music is a complementary element of meaning, exciting, imaginative and influential on the audience. Poetry elements such as weight and melody, rhyme, line, imagination and emotion are valuable and effective when they serve the content and text and influence the reader of the literary work. This descriptive-analytical-statistical essay measures the side and external music of Kamal-al-Din Ismail's divan and finds out how it relates to the content of the poems. The findings show that although the external music and the variety of prosodic weights in Kamal al-Din's Divan are not great, he has chosen the most beautiful weights that are in harmony with the content and passive state of his poetry. By using coherent and mature weights, various commitments and difficult lines, he has created precise and narrow meanings, and in addition to weight, he has created a connection between rhyme, line and other words in terms of sound similarity or phonetic unity. As the main key in the formation of the phonetic system of the verse is the row and rhyme and the most specific letter of the rhyming letters, which has a musical and emotional connection with the content and causes the association of meanings, imagination and grace of meaning.

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