Document Type : applied research
Authors
1 Assistant Prof. in Persian Language and Literature, Payame Noor University, Tehran,, Iran.
2 Department of Persian Language and Literature, Faculty of Literature and Humanities, Yazd, Iran.
Abstract
One of the topics of interest to structuralists is paying attention to binary opposition. They know the foundation of existence and its cognition as the realization of these oppositions . Most of artworks are based on contrast and opposition; Bad versus good, heaven versus earth, youth versus aging, existence versus non-existence, etc. These two poles have never existed independently and are based on the opposition of two poles. Neighboring confrontations are a term associated with the science of syntactic meanings. The term, which is a combination of the two, is one of the hidden arts in Nezamy poetry. In this article, based on the theory of syntactic meanings, an attempt has been made to study and analyze various constructions and its various patterns; These patterns include: adjoining adverbs in a sentence with the same grammatical identity, adjoining adverbs with dissimilar grammatical identities, inflectional and non-adverbial antonyms, implicit adjoining adverbs, music of adjoining adverbs, and so on.The combination of these patterns with other rhetorical and aesthetic elements adds to their semantic capacity and rhetorical goodness. Such diversity has made military poetry more dynamic in terms of rhetoric, language and meaning. The high frequency of these confrontations has led to a stylistic feature in Nezamy poetry. In this research, all-round confrontations of introduction and syntactic structure of the verses that include this art have been analyzed in two poems: Khosrow, Shirin, Lily and Majnoon Nezamy.
Keywords
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