Authors
1 Assistant Professor of Persian Language and Literature, Semnan University, Iran
2 Professor of French, Tarbiat Modares University, Tehran, Iran
Abstract
Abstract
Reggae is an aggressive discourse between the two rivals that replaces the action. The actor seeks to overcome the opponent by saying that he is the successor to the war, or a strong introduction to it. In this way, two important criticisms of pride and self-righteousness, rival condemnation, and humiliation of race as a discursive prosthesis are raised. Prosthetic implication is an expression trick with the role of protecting the actor. This paper seeks to investigate Rajaz in the Shahnameh and the story of Rostam and Esfandiar based on the discourse's prosthesis theory and show that, with regard to the semantic signification, regex finds a functional prosthesis and instead of entering the process of action, in a pre-discursive discourse process with The protozoal feature is placed and the expression system is the successor to action. The hero tries to defeat Brahma by rehearsing before the battle begins, or until its foundation. So, with the prosthetic function of Rejz, the replacement for the main action is the physical battle. The main purpose of this paper is to examine the function of Projection Rajaz as a counterweight to the analysis of how to expand the pre-war discourse system. Regazh as a discursive prosthesis is an appropriate setting for developing a space of self-defense against the enemy without entering into action, through a podium. Therefore, the pitch will act like a halo to be able to replace or replace it, or if it enters the process, it will affect it.
Keywords
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