Document Type : applied research
Author
Tehran. Trabiat Modares University. Faculty of Literature. Persian literature group
Abstract
One of the prominent figures of mysticism and etiquette in the ninth century AH is Shah Dai Shirazi, who in his Masnavi, the deepest mystical issues such as (unity of existence, monotheism, desire, abstraction, taste, discovery and intuition, poverty and annihilation, etc Has expressed
In this article, we will use a descriptive and analytical method to analyze the linguistic and rhetorical structure of the six Masnavi of Shah Dai (observation, treasure, forty mornings, four grasses, spring of life and love letter) from different aspects.
The results of the research indicate the accuracy of the meanings, the firmness of the words and the thickness of the words of Shah Dai in the Masnavi, and regardless of the mystical musharraf and Sufi mysticism; His passions, ecstasies and moods are a separate source of taste, enthusiasm, accuracy and tenderness. The prominent thought and theme of these Masnavi is the same as the conventional thoughts of mystical poets. The traces of mystics such as Ibn Arabi, Attar and Maulana, Sanai, Shah Nemat alHakh Vali, Qasim Anwar and Hafez are evident in her works.
The style of these Masnavi is a combination of Khorasanian and Iraqi styles; In such a way that they have taken some linguistic features the Khorasani style and the subtleties, burning and melting from the Iraqi style.
Punctuation and the art of repetition at the phonetic levels; The Meccan metaphor, such as the observations of Vatmih at the rhetorical level, are among the most prominent literary arrays used in these poems.
Keywords
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